This issue will contain the following articles:

EMMA BIELECKI, Fantômas’s shifting identities: from books to screen

KIM KNOWLES, Travels with a camera: speed and embodiment in early French avant-garde film

ROBERT J. CARDULLO, Cinema as ‘social documentary’: the film theory of André Bazin, revisited

CATHERINE DOUSTEYSSIER-KHOZE, La Fille coupée en deux (2007): instabilité générique, théâtralité et « image-cristal » selon Claude Chabrol

MUNRO JENNIFER, Muse mythique: reading Ingrid Caven’s performance in Claire Denis’ 35 Rhums as Ricoeurian speech event

ALISON SMITH, Crossing the linguistic threshold: language, hospitality and linguistic exchange in Philippe Lioret’s Welcome and Rachid Bouchareb’s London River