Books on French cinema since 2006

2012

  • Dudley Andrew (ed.) with Hervé Joubert-Louvencin, Opening Bazin: postwar film theory and its afterlife, Oxford University Press.
  • Bert Cardullo (ed.), Interviews with Eric Rohmer, Chaplin Books.
  • Marguerite Chabrol et Pierre-Olivier Toulza (eds), Lola Montès: lectures croisées, L'Harmattan.
  • Olivier Curchod, La Méthode Renoir, Armand Colin.
  • Julia Dobson, Negotiating the Auteur, Manchester University Press.
  • Sylvie Durmelat and Vinay Swamy(eds), Screening Integration: Recasting Maghrebi Immigration in Contemporary France, University of Nebraska Press.
  • Frédéric Gimello-Mesplomb (ed.), Les Cinéastes français à l’épreuve du genre fantastique: Socioanalyse d’une production artistique, L'Harmattan.
  • Frédéric Gimello-Mesplomb, (ed.), L’Invention d’un genre: le cinéma fantastique français ou les constructions sociales d’un objet de la cinéphilie ordinaire, L'Harmattan.
  • Gwénaëlle Le Gras and Delphine Chedaleux (eds), Genres et acteurs du cinéma français 1930-1960, Presses Universitaires de Rennes.
  • Patrick Louguet (ed.), Rohmer ou le jeu des variations, Presses Universitaires de Vincennes.
  • Laura McMahon, Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis, Legenda.
  • Geneviève Sellier, Les Enfants du Paradis, Armand Colin.
  • Mary Wiles, Jacques Rivette, Illinois University Press.

2011

  • Martin, Florence, Screens and Veils: Maghrebin Women's Cinema, Bloomington & Indianapolis: Indiana University Press.
  • Neupert, Richard, French Animation History, Wiley-Blackwell.
  • Palmer, Tim, Brutal Intimacy: Analyzing Contemporary French Cinema, Weslyan Press
  • Peter Shelley, Jules Dassin: the life and films, Jefferson, NC; London: McFarland.

2010

  • Andrew, Dudley, What Cinema Is!: Bazin's Quest and its Charge, Wiley-Blackwell.
  • Hayward, Susan, French Costume Drama of the 1950s: Fashioning Politics in Film, Intellect.
  • Hayward, Susan, Nikita, I.B.Tauris.
  • Higbee, Will and Sarah Leahy (eds), Studies in French Cinema: UK Perspectives 1985–2010, Intellect.
  • Kline, T Jefferson, Unraveling French Cinema: From L'Atalante to Caché, Wiley-Blackwell.
  • Mai, Joseph, Jean-Pierre and Luc Dardenne, University of Illinois Press.
  • Mazdon, Lucy and Wheatley, Catherine (eds.), Je t'aime, moi non plus: Franco-British cinematic relations, Berghahn.
  • Oscherwitz, Dayna, Past Forward: French Cinema and the Post-colonial Heritage, Southern Illinois University Press
  • Reader, Keith, La Règle du jeu, I.B.Tauris.

2009

  • Burch, Noël and Geneviève Sellier, Le Cinéma au prisme des rapports de sexe, J.Vrin.
  • Moine, Raphaëlle, Pierre Beylot (eds), Fictions patrimoniales sur grand et petit écran: contours et enjeux d'un genre intermédiatique, Presses universitaires de Bordeaux.
  • Moine, Raphaëlle, Brigitte Rollet and Geneviève Sellier (eds), Policiers et criminels:  un genre populaire européen sur grand et petit écrans, L’Harmattan.
  • Morrey, Douglas and Alison Smith, Jacques Rivette, Manchester University Press.
  • O'Shaughnessy, Martin, La Grande Illusion, I.B.Tauris.
  • Phillips, Alastair, Rififi, I.B.Tauris.
  • Powrie, Phil with Eric Rebillard, Pierre Batcheff: Stardom in 1920s French Cinema, Edinburgh University Press.
  • Rascaroli, Laura, The Personal Camera: Subjective Cinema and the Essay Film, Wallflower.
  • Webber, Andrew and Emma Wilson (eds), Cities in Transition: The Moving Image and the Modern Metropolis, Wallflower Press.
  • Wheatley, Catherine, Michael Haneke’s Cinema: The Ethic of the Image, Berghahn.
2008
  • Ezra, Elizabeth, Jean-Pierre Jeunet, Illinois University Press.
  • Grandena, Florian, Showing the World to the World: Political Fictions in French Cinema of the 1990s and Early 2000s, Cambridge Scholars.
  • Ince, Kate (ed.), Five Directors: From Assayas to Ozon, Manchester University Press.
  • Rees-Roberts, Nick, French Queer Cinema, Edinburgh University Press.
2007
  • Beugnet, Martine, Cinema and Sensation: French Film and the Art of Transgression, Edinburgh University Press.
  • Downing, Lisa and Sue Harris (eds), From Perversion to Purity: The Stardom of Catherine Deneuve, Manchester University Press.
  • Mayne, Judith, Le Corbeau, I.B.Tauris.
  • O' Shaughnessy, Martin, The New Face of Political Cinema: Commitment in French Film since 1995, Berghahn.
  • Powrie, Phil, Bruce Babington, Ann Davies, and Chris Perriam, Carmen on Film: A Cultural History, Indiana University Press.
  • Waldron, Darren and Isabelle Vanderschelden (eds), France at the Flicks: Trends in Contemporary French Popular Cinema, Cambridge Scholars Publishing.
2006
  • Hayward, Susan and Phil Powrie (eds), Luc Besson: Master of Spectacle, Manchester University Press.
  • Higbee, Will, Mathieu Kassovitz, Manchester University Press.
  • Phillips, Alastair and Ginette Vincendeau (eds),Journeys of Desire: European Actors in Hollywood, BFI.
  • Williams, James, Jean Cocteau, Manchester University Press.
  • Wilson, Emma, Alain Resnais, Manchester University Press.
2005
  • Ince, Kate, Georges Franju, Manchester University Press.
  • Marie, Laurent, Le Cinéma est à nous: le PCF et le cinéma français de la libération à nos jours, L’Harmattan.
  • Mayne, Judith, Claire Denis, University of Illinois Press.
  • Moine, Raphaëlle (ed.), Le Cinéma Français face aux genres, Association française de recherche sur l'histoire du cinema.
  • Morrey, Douglas, Jean-Luc Godard, Manchester University Press.
  • Tarr, Carrie, Reframing Difference: Beur and Banlieue Filmmaking in France, Manchester University Press.
  • Vincendeau, Ginette, La Haine, University of Illinois Press.