1pm - 8:15pm
Wednesday 11 March 2020
Perspectives on Musical Revision
The processes and products of musical revision offer fertile ground for scholarship. They may be covert or overt depending on the parties involved and their reasons. They can offer insights into musical creative processes, challenge notions of musical fixity and open debates around ideology and power. In this set of performances and papers staff from the University of Surrey, alongside guest artists, offer compositional and musicological responses to these topics and others, focusing on contemporary music, Austro-German repertoire, life writing, film and TV.
Performing Arts Technology Studio (PATS)
University of Surrey
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Booking is not required for this event.
|1pm||Recital by Katalin Koltai (guitar)|
Tom Armstrong - revision and reworking as compositional strategies
Jeremy Barham - between revision and arrangement: Mahler, Bach and Beethoven
John McGrath - transmedia motifs and revisionism in the work of David Lynch
Chris Wiley - revisionism in musical biography
|6pm||Drinks reception at Wates House|
|7:15pm||Recital by Jane Chapman (harpsichord) and Sam Cave (electric guitar)|