Dr Georgia Stavraki
Biography
Biography
Georgia Stavraki holds a PhD in Consumer Behaviour, an MSc in Informatics and Management, and a BSc in Economics from the Aristotle University of Thessaloniki, Greece. Her research focuses on the use of collage visual data as an arts-informed inquiry for understanding consumer behaviour phenomena, consumers' identity projects, and aesthetic experiences.
Research interests
Georgia's research interests lie in the areas of collage methodology in consumer behaviour, consumers' identity projects, and aesthetic experiences.
Teaching
- MAN2094 Marketing Communications (UG)
- MAN3136 Retail Consultancy Project (UG)
- MANM047 Consumer Behaviour (PG) - Module Leader
- MAN2110 Consumer Behaviour (UG) - Module Leader
- MSc dissertation supervisor
Office Hours Semester 1 2019/20:
Weeks 1, 2, 5, 9: Mondays 11.30-13.00 & Tuesdays 10.00-11.30
Weeks 4, 6, 8, 10: Tuesdays 10.00-11.30 & Fridays 10.00-11.30
Week 3: Tuesday 11.30-14.30
Week 7: Tuesday 10.00-13.00
Week 11: Monday 11.30-14.30
Departmental duties
My qualifications
My teaching
- MAN2094 Marketing Communications (UG)
- MAN3136 Retail Consultancy Project (UG)
- MANM047 Consumer Behaviour (PG) - Module Leader
- MAN2110 Consumer Behaviour (UG) - Module Leader
- MSc dissertation supervisor
My publications
Publications
Purpose ? Recognising the value and limitations of current knowledge of the appropriation
process in the consumption of aesthetic experiences, this research generates a localized account
for novice and expert consumers of the varying role of cultural capital in the appropriation
cycles and interpretative responses of an aesthetic experience.
Design/methodology/approach ?This research employs a single case study design of Miró?s
blockbuster exhibition and draws on multiple sources of evidence, notably 50 in-depth visitor
interviews, observation and archival records.
Findings ? An evidence-based framework of the appropriation process for novice and expert
consumers of aesthetic experiences is offered. This framework highlights the significance of
appropriation pace and of personal versus communal interpretations ? amongst other features -
in distinguishing distinct versions of the appropriation process in accordance with the varied
accumulation of consumer cultural capital.
Research limitations/implications ? The transferability of the findings to other aesthetic or
experience-based consumption contexts such as performing arts or sports is discussed,
alongside the relevance of the proposed framework for researchers of aesthetic experiences.
Practical implications ? The empirical investigation of the understudied connection between
visitors? cultural capital and their museum experiences provides insights into curatorial and
marketing practices in terms of broadening, diversifying and engaging museum audiences.
Originality/value ? The research provides new theoretical insights into the literature of
appropriation process and consumption of art experiences by bringing together consumers?
cultural capital with the appropriation process and interpretive responses to an aesthetic
experience.
Additional publications
Articles in Journals
Stavraki, G. (2016). “Understanding consumers' relationships with contemporary artworks through identity narratives”. Journal of Service Theory and Practice, 26 (6), 811-836.
Plakoyiannaki, E., Kampouri, A., Stavraki, G. and Kotzaivazoglou, I. (2014). “Family business internationalisation through a digital entry mode”. Marketing Intelligence and Planning, 32 (2), 190-207.
Book Chapters
Plakoyiannaki, E. and Stavraki, G. (2018). “Collage visual data: Pathways to data analysis”. In The SAGE Handbook of Qualitative Business and Management Research Methods (eds C. Cassell, A.L. Cunliffe, G. Grandy). SAGE Publications.
Plakoyiannaki, E. and Stavraki, G. (2017) “Creating solutions for the customer: The customer relationship management (CRM) process and capabilities”. In Marketing Graffiti (ed. M. Saren). Routledge.
Stavraki, G. (2014). “Going reflective: Making sense of the process of designing a case study research under the interpretive paradigm”. In SAGE Research Methods Cases (ed. Brindle, P.). London: SAGE Publications.
Conference Papers
- Stavraki, G. and Plakoyiannaki, E. “Meaning is Movement: A Visual Analysis of the (Trans)formation of Consumers' Multiple Identity Positions”. Paper presented at the 46th Annual Conference of the European Marketing Academy (EMAC), Groningen, Netherlands, May 23-26, 2017.
- Stavraki, G., Plakoyiannaki, E. and Anninou I. “'From ear to eye': Discerning the multiplicity in consumers' selves through collage visual data”. Paper presented at the 5th International Conference on Contemporary Marketing Issues (ICCMI), Thessaloniki, Greece, June 21-23, 2017.
- Anninou, I., Liu, X., Stavraki, G. and Plakoyiannaki, E. “The relationship between online customer reviews and confusion proneness”. Paper presented at the 5th International Conference on Contemporary Marketing Issues (ICCMI), Thessaloniki, Greece, June 21-23, 2017.
- Plakoyiannaki, E., Stavraki, G. and Kabouri, A. (2015). “Is it like this or it look just like this? A semiotic analysis of photographic aesthetics. Paper presented at the 3rd International Conference on Contemporary Marketing Issues (ICCMI), London, United Kingdom, June 18 - July 3, 2015.
- Stavraki, G. and Plakoyiannaki, E. (2014). “Understanding consumers' modes of interpersonal relationships through a dialogical perspective”. Paper presented at the 2nd International Conference on Contemporary Marketing Issues (ICCMI), Athens, Greece, June 18-20, 2014.
- Stavraki, G. and Plakoyiannaki, E. (2012). “Beyond material possessions: The emergence of extended self in experiential settings - insights from Toulouse Lautrec consumption”. Paper presented at the 1st International Conference on Contemporary Marketing Issues (ICCMI), Thessaloniki, Greece, June 13-15, 2012.
- Plakoyiannaki, E., Kabouri, A., Stavraki, G. and Kotzaivazoglou, I. (2012). “Family firms: Going global through a digital entry mode”. Paper presented at the International Conference on Contemporary Marketing Issues (ICCMI), Thessaloniki, Greece, June 13-15, 2012.
- Stavraki, G. and Plakoyiannaki, E. (2012). “'Voices in my head': Aesthetic experiences under construction-consumers' identity repertoires from Damien Hirst's exhibition”. Paper presented at the 41th Annual Conference of the European Marketing Academy (EMAC), Lisbon, Portugal, May 22-25, 2012.
- Stavraki, G., Plakoyiannaki, E. and Zotos, Y. (2011). “From identifications to emergent identities and from experience attachment to self-extension: A case study of Toulouse Lautrec consumption”. Paper presented at the 10th Anniversary International Colloquium on Arts, Heritage, Nonprofit and Social Marketing, Leeds, United Kingdom, September 7, 2011.
- Stavraki, G. and Plakoyiannaki, E. (2011). “Pathways and outcomes of immersion: A case study of imaginative responses and personal reflections of Joan Miro's artwork”. Paper presented at the 40th Annual Conference of the European Marketing Academy (EMAC), Ljubljana, Slovenia, May 24-27, 2011.
- Stavraki, G. and Plakoyiannaki, E. (2011). “Appropriating an artistic brand meaning: A case study of consumers' responses to Miro's exhibition”. Paper presented at the 16th International Conference of Marketing Communications (CMC), Athens, Greece, April 27-29, 2011.
- Stavraki, G. and Plakoyiannaki, E. (2010). “The act and 'art' of appropriation: A case study of Joan Mirο consumption”. Paper presented at the 9th International Colloquium on Arts, Heritage, Nonprofit and Social Marketing, London, United Kingdom, September 10, 2010.