| Name |
Project title |
Supervisors |
| Demetris Bogiatzis |
The Use of Historiographic Metafiction in the Novel Free Spirit, a Novel Based on Nikos Kazantzakis’ Conflict with the Greek Orthodox Church. |
Dimitris Asimakoulas and Paul Vlitos |
| Cheima Bouchrara |
Persuasion in Courtroom Discourse: A Critical Discourse Analysis of Closing Arguments in US Criminal Cases. |
Sabine Braun and Dimitris Asimakoulas |
| Arianna Carloni |
The Role of Continued Dance Training in the Reception of Audio Description. |
Sabine Braun and Dimitris Asimakoulas |
| Beatrice Carpi |
Systematising the analysis of songs in stage musicals for translation: a multimodal model based on themes. |
Ana Frankenberg-Garcia and Elena Davitti |
| Jaleh Delfani |
Non-Professional Subtitling in Iran: Process, Product, and Socio-Cultural Context. |
Sabine Braun and Dimitris Asimakoulas |
| Marta Gabrych |
Quality in police interpreting. |
Sabine Braun and Elena Davitti |
| Konstantina Georgiou |
The Translator as Reader: The case of Poetry Translations from Modern Greek into English. |
Dimitris Asimakoulas and Stephen Mooney |
| Yi Gu |
Building a Parallel English to Chinese Financial Corpus - Design, Analysis and Application. |
Ana Frankenberg, Joanna Gough and Fang Wang |
| Laura Martinez |
Translation Quality Assurance in Professional Environments: The Case of the Foreign Editions Department at Usborne Publishing. |
Dimitris Asimakoulas and Lucy Bell |
| Khadidja Merakchi |
Metaphors in popular science discourse. |
Margaret Rogers and Sabine Braun |
| Rangsima Ninrat |
The Translation of Allusion from English into Thai Between 1960 and 2015 |
Ana Frankenberg-Garcia and Sabine Braun |
| Kim Starr |
Audio Description and Cognitive Diversity: a bespoke approach to facilitating access to the emotional content in multimodal narrative texts for autistic audiences. |
Sabine Braun and Emma Williams |
| Wei Zhang |
Remote Interpreting in Healthcare Settings. |
Sabine Braun and Elena Davitti |
| Shasha Zhang |
Exporting the “Real” China: Exploring Chinese National Ideologies within China-Produced TV Documentaries and their Translations. |
Dimitris Asimakoulas and Sabine Braun |
